This week we lost of my all-time favorite country singer-songwriters, Steve Young. The writer of several classic songs made famous by some of the era’s biggest stars, Young was also a superb singer in his own right, and he has a string of excellent solo albums to prove it. On top of that, by many accounts (including my own experience) he was a wonderful man with a humble soul and a strong humanitarian streak. He also possessed lifelong ties to his Southern heritage that added richness and complexity to his songs.
Young died in Nashville, Tenn. on March 17, 2016 at the age of 73. He was in hospice at the time and under the close watch of his son, Jubal Lee Young.
“My father, Steve Young, passed peacefully tonight in Nashville,” Jubal wrote in a Facebook post. “While it is a sad occasion, he was also the last person who could be content to be trapped in a broken mind and body. He was far too independent and adventurous. I celebrate his freedom, as well, and I am grateful for the time we had. A true original.”
“I celebrate his freedom, and I am grateful for the time we had.”
Among Steve Young’s best-known songs is one of the most enduring anthems of the Outlaw era, “Lonesome On’ry And Mean,” a rambling-man song that Waylon Jennings covered in 1973. But that song was neither Young’s first composition nor the last anyone heard of him: his career stretches from the 1960s, when he cut the album Rock Salt & Nails (a record that featured Gram Parsons, Chris Hillman, and Gene Clark), all the way to the present, earning him accolades from critics (who have always loved his work) and his musical peers for his superb singing— a warm, dusty-edged baritone voice that can soar and sway— and guitar picking, which if anything has grown stronger over the years.
During all those years in-between, Young wrote and recorded a healthy number of knockout songs, among them “Seven Bridges Road” (covered by the Eagles and Eddy Arnold, among others), “Montgomery In The Rain,” and “Renegade Picker.” The last of the three is the title track of a 1975 album that showed Young itching with raw talent and standing on the precipice of greatness — something he achieved alone, despite the fact that he remained firmly on the outskirts of the country music mainstream.