Leonard Cohen Talks Songwriting with Jarvis Cocker

photo from Consequence of Sound

Leonard Cohen was recently interviewed by Jarvis Cocker, in advance of the release of Cohen’s first album in many years. And the finely dressed master had some great quotes regarding his music, and the art of songwriting.

For instance, how does he do it? Even Jarvis can’t help but dig for hints of Cohen’s writing inspiration. Cohen, however–craftily, and probably wisely–deflected such direct questions.

“We’ve got to be very careful analysing these sacred mechanics because somebody will throw a monkey wrench into the thing and we’ll never write a line again.” He added that “now and then something invites you to animate it, which you try and do with grace and illumination.”
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Mermaid Parade

One of the bands that’s been slowly burning its way into my consciousness the past few years is Phosphorescent. It started with their head-turning 2009 album To Willie, which contained all Willie Nelson songs redone with a laid-back approach that both pays tribute to Nelson’s own songwriting and arrangements, but also brings the music inside the circle of 21st century indie-rock. Meaning, Phosphorescent does a fantastic job reinterpreting Nelson’s music with arrangements and voice born from the alt-country side of the tracks, and makes the classic songs like “Too Sick To Pray” and “Pick Up The Tempo” feel fresh all over again.

Listen to the lead track, “Reasons to Quit”–a Nelson song that may have not grabbed your attention before; in the hands of Matthew Houck, however (he’s the main force in Phosphorescent)–with his gently raspy voice that sounds on the verge of breakdown–it’s a clear standout, capturing a moment in time where the characters are teetering on the edge between too much and not enough.

OK, not teetering anymore, they’re slipping into darkness.

Reasons To Quit

“Wish You Were Here” Reissued

After breaking into superstardom with their 1973 masterpiece The Dark Side of the Moon, the members of Pink Floyd faced a daunting task. How does anyone follow up a release like that? Many a great artist has faded in fear at the prospect.

The result, though, as we all know, was the 1975 album Wish You Were Here. Though initially receiving some mixed reviews, fans and critics eventually agreed it was another masterpiece.

It’s also the next Pink Floyd album getting the royal reissue treatment from parent label EMI. Both a two-disc ‘Experience’ version and massive, five-disc ‘Immersion’ box were released this week, each featuring the remastered original album plus significant bonus material.

See my full Wish You Were Here reissue review on CBS Street Date.

David Bazan: Some albums you can only hear once

I’m a fan of Pedro the Lion, and so I was curious about David Bazan’s solo album, Curse Your Branches. It came out in 2009, and I grabbed a copy from Amazon.

Bazan’s album is a tough one. “It’s hard to be a decent human being,” he sings on the lead track, “Hard to Be.” OK, fine, no problem there, we can all relate. But then it sort of goes deeper into darkness, or, you might say, downhill. Not that dark isn’t a good thing–I’m all for it. But there are some hard, head-on-the-pavement truths his characters are facing in these songs that are pretty tough to hear.

Alcohol, fatherhood, and God

Video: Midlake’s “Bring Down”

Midlake lead singer Tim Smith at SXSW in 2010

 

Midlake performed at SXSW 2010, showcasing their new album The Courage of Others. It’s the best album of 2010, and their SXSW showcase was the best live show of 2010. And it’s only March.

 

UPDATE: A quick taste of Midlake, the epic song “Bring Down,” from their 2010 album The Courage of Others.

 

See more Flickr photos of Midlake and other bands.