5 Essential Ray Price Songs

On Dec. 16, 2014, country legend Ray Price passed away after a battle with pancreatic cancer. He was 87 years old, and he left behind a huge catalog of recordings and a musical legacy that is among the most impressive in country music history.

Price was a contemporary (and friend) of Hank Williams, and his early recordings reflect that sharp-edged honky-tonk sound. As the 1950s progressed, though, Price found himself more and more attracted to smoother countrypolitan stylings. You can hear it working its way into songs like “City Lights” and especially on his album Night Life. And it finally comes to full fruition on Price’s 1960s songs such as “Danny Boy” and “For the Good Times” — the latter a Kris Kristofferson composition that Price turned into a signature song.

Price and his band the Cherokee Cowboys developed a dance-friendly rhythm that became known as the ‘Ray Price shuffle.’ The band was an early starting ground, too, for such later legends as Roger Miller, Willie Nelson and Johnny Paycheck.

Price also co-owned Pamper Music, a publishing company that helped boost the careers of Harlan Howard and Hank Cochran, among others.

Price was inducted into the Country Music Hall of Fame in 1996. And he continued performing up until very recently, when his health wouldn’t allow it.

Because it spans so many years and includes so many great songs, Price’s catalog is well worth exploring in depth. Below are five key tracks to help you dive in.

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Tompall Glaser and Jack Clement: Country Outlaw Heroes

Two major players in country music passed away recently. Two key outlaw artists, and two of my favorite country artists, both of whom were involved in creating some of the finest music to come out of Nashville–or anywhere–in the last several decades.

Last week, we lost “Cowboy” Jack Clement. Recently elected into the Country Music Hall of Fame, Cowboy was someone who wrote songs for Johnny Cash; worked at Sun Studios and helped jumpstart the career of Jerry Lee Lewis; produced records for such artists as Townes Van Zandt, Charley Pride, and Don Williams; and was a key ‘outlaw’ innovator, producing what is arguably Waylon Jennings’ finest album, Dreaming My Dreams.

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The Songwriters: Gene Crysler

The other day I posted the album cover for Freddie Hart’s The Neon and the Rain. The title track is credited to Gene Crysler, whom I knew little about.

Doing some digging, though, turns out he wrote some cool and unusual songs. Like this one, “I Didn’t Jump the Fence,” which has been cut by the likes of Red Sovine and Cal Smith:

On the surface it’s an oddball song about a guy who admits to eating the “fruit” from his neighbor’s “tree,” but says he wasn’t “stealing” because it just “fell” into his yard. It’s not hard, of course, to read between the lines of what he’s really talking about.

Another Crysler song was “Don’t Make Me Go To School,” cut by Tammy Wynette.

And I always loved this Crysler song cut by Billie Jo Spears, about a small-town Kansas woman who gets a big-city job as a secretary in New York, but who quickly gets fed up with the old boys’ club.

Spears’ version of the song–the title track from her second album–peaked at No. 4 on the country charts in 1969.

Spears just comes off so damn down-to-earth appealing in this video, the kind of honest country artist we could use more of these days. Sadly, she passed away in 2011.

Vintage Album Covers: Freddie Hart

Freddie Hart’s deeply dark “The Neon and the Rain”–the title track from his 1967 album–falls into the same homicidal category as Porter Wagoner’s classic “The Cold Hard Facts of Life.” Freddie covers the latter song on this album as well, though it’s hardly necessary. He’s already taken us down the deep hole with these opening lines:

As I sit beneath the steerin’ wheel a gun in my right hand
I watch the girl I married keep a date with another man
The neon sign above her head blinks motel vacancy
And through the rain it’s flashin’ like the storm inside of me

The black leather gloves he’s sporting in the cover image–and what those gloves are holding–add to the menace.

Vintage Album Covers: Porter Wagoner

Porter produced some fantastic album covers during his heyday, and the image on the front of The Cold Hard Facts of Life is one of the all-time greats.

If you don’t know the song, familiarize yourself with it now — it’s a gem:

The website Atlanta Time Machine did a great story a few years back about finding the original location where the cover was shot.

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Maine Music and Dick Curless

I was in Maine last week on a family trip, and while it was great to visit with family, eat great food, and chase the girl (our daughter) around the back deck, it also presented a great excuse to dig out some of my old Dick Curless records. Now when you think of Maine, likely it’s a vision of lobsters, not country music, that jumps out. But if you have a soft spot for old-school blues-based honky-tonk, Curless just might change that perspective. A native of northern Maine, Curless got his start working around Maine, Mass., and New England in the ’50s, then broke out nationally in the ’60s and went on to a respectably successful music career on a variety of labels (Tiffany, Tower, Capitol, Rounder). He even had one bona fide hit with the song “Tombstone Every Mile.”

Read more about Dick Curless

Tompall Glaser

Whatever happened the the great Tompall Glaser? Waylon’s onetime best friend during the outlaw heyday, he made some amazing albums, both alone and with his brothers Jim and Chuck. But since the ’80s he seems to have disappeared. Would love to know if he still performs–or writes/records.

You can also watch a performance of the great song “Rings” and a medley of the Glasers performing three country classics.

Note that Jim Glaser keeps a website and still performs; and four of the Glaser Brothers’ nephews (calling themselves The Brothers Glaser) have recorded a tribute album due to be released in the fall of 2009 (three songs are online for streaming).

Hardly Strictly Bluegrass 7

Another year, another Bluegrass Fest in San Francisco, this weekend (Oct-5-7) in Golden Gate Park. Old favorites are returning, including Nick Lowe (when did he get so damn popular all the sudden? It’s not like he’s moving a ton of records), T-Bone Burnett (one of the fest highlights last year), Del McCoury, Gillian Welch, Mekons, Knitters, on and on. PLUS some new blood, including Jeff Tweedy (solo on Friday afternoon), Charlie Louvin, Neko Case, and, believe it or not, John Mellencamp. There’s a reason they renamed the fest Hardly Strictly Bluegrass–which I have no beef with, as it opens the field to a wider range of roots/country/soul/grass type artists.

Here’s a few highlights from last year’s extravaganza:

Hardly Strictly Bluegrass 2006